Kickstarter Article on Wired.com

Over at Wired.com, I’ve got a piece up about Make That Thing, a new branch of web retailer TopatoCo that helps artists handle the organization and reward fulfillment of their Kickstarter campaigns. For the article, I spoke with webcomics creator Aaron Diaz, whose campaign to produce a print volume of his popular series Dresden Codak is an early test run for Make That Thing:

Aaron Diaz’s Kickstarter is doing pretty damn well. The artist and webcomic creator asked for a modest $30,000 to fund a print version of his popular webcomic Dresden Codak, and less than a week later, he’s pushing $250,000. But unlike most people who successfully fund projects on Kickstarter, Diaz won’t be fulfilling his obligations to backers – a daunting task involving third-party printers, pallets of books, and staggering shipping costs — on his own.

Read the whole thing at Wired.

“Icecapades” in The Magazine

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I wrote a piece for  The Magazine about fancy ice. High-end bartenders have a lot in common with mad scientists, and creating perfect, crystal-clear ice is an ongoing preoccupation. (For bartenders. Mad scientists aren’t so worried about it.)

There are only a few times I think about ice.

I think about ice when I’m hosting a party and I have to run to the corner store to buy a bag of it. Invariably, the cubes have clumped together into a giant mass, and I have to stomp on the bag to break it up. Artisanal foot-ice, I call it.

I think about ice vis-à-vis the grandmotherly implications of plopping a few cubes in a glass of rosé when it’s hot outside.

I think about ice when I start to worry about how Jon Snow is really doing.

I imagine you’re like me, an ice dabbler at best, but ice obsession is an established phenomenon in the cocktail world. It’s a preoccupation that reaches both into booze’s past and into its experimental, sci-fi future.

 

Go log into The Magazine to read the whole thing, or get yourself a subscription: It’s only $1.99 a month, for two issues comprising five quality medium-length articles. A steal!
 
That pretty photo up there was taken by Pat Moran.

Hash Oil Story for Wired.com

“How Hash Oil Is Blowing Up Across the U.S. — Literally”

Literally.

For a non-stoner, I’ve been writing an awful lot about medical marijuana and hash oil lately. Here’s my most recent story, for Wired:

Last week, FEMA posted a rather unexpected alert in its emergency services bulletin titled “Hash Oil Explosions Increasing Across US.” Alongside more quotidian warnings of cyber terrorism and industrial vapor clouds, it described an uptick in explosions at apartments and hotel rooms involving “a process using butane to extract and concentrate compounds from marijuana,” destructive incidents that FEMA warned could even be mistaken for pipe bomb or meth lab explosions.

Wait, marijuana-based explosions? When did cannabis products start sounding like something out of Breaking Bad?


Read the whole thing on Wired.com.

Comics Underground and Dark Horse Team Up for Will Eisner Week!

vietnamON THURSDAY, MARCH 7, Comics Underground is teaming up with Dark Horse Comics for a Very Special Episode of our comics reading series.

In honor of Will Eisner Week, Dark Horse Editor Diana Schutz hand-picked a lineup of some of the best comics creators in the country to share stories from Will Eisner’s Last Day in Vietnam.

Brian Michael Bendis, Matt Fraction, Michael Avon Oeming, Dylan Meconis, and Kelly Sue DeConnick will be reading, and Erik Nebel will be accompanying a wordless story on violin. Basically, it’s a lineup that shouldn’t be allowed to get on an airplane together, because if that plane crashed, so would like 80 percent of the comics industry.

Here’s a bit more info on the participants. LIKE YOU NEED MORE INFO, C’MON.

MATT FRACTION, architect of the Marvel Universe, writer of The Invincible Iron Man, and creator of the beloved high-concept spy comic Casanova.

BRIAN MICHAEL BENDIS, yet another architect of the Marvel Universe, writer of Ultimate Spider Man and creator of the beloved superhero noir comic Alias.

MICHAEL AVON OEMING, a creator and artist on numerous projects including the Eisner-winning series Powers.

DYLAN MECONIS, creator of the brainy historical graphic novel Family Man and the vampire-themed spoof Bite Me.

KELLY SUE DECONNICK, writer of a number of Marvel Comics titles, including the well-received Osborn miniseries and Avengers Assemble.

ERIK NEBEL, creator of War and Peace: The Comic, which is just what it says it is.

It all goes down at 8 pm on Thursday, March 7, at the Jack London (529 SW 4th, Portland, Oregon). Admission’s $3-5. Yes, it’s going to be as good as it sounds. See you there.

“The Professionalization of Pot” in The Magazine

I’ve got a story in the new issue of The Magazine, an iOS-only magazine published by Instapaper founder Marco Arment. I wrote about the incredible variety of cannabis-based products that are now available to the medical-marijuana cardholder—and adults in any state that legalizes marijuana for recreational purposes, barring intervention from the federal government. Here’s a teaser:

It’s dusk at Pickathon, the Oregon summer music festival famous for turning even the most uptight attendees into short-term hippies. A friend passes me his pipe. I haven’t smoked pot in years. When I smoke, I’m prone to paralyzing, near-hallucinatory panic attacks. But out here, surrounded by friends, with performer Neko Case’s voice drifting from the stage through our campsite, smoking seems like the thing to do. I take a hit.

To find out what happens next… and learn about how the medical marijuana community’s parsing of pot strains is as sophisticated as the wine-tasting world’s geeking out over grapes, click here for subscription information.

January’s Comics Underground Lineup: Colleen Coover, Jake Richmond, and Jen Vaughn!

Oh, the holidays. How you sabotaged our every intention of getting this valuable information disseminated a timely fashion. So here we are, a mere day before Christmas, announcing the all-star lineup for the next Comics Underground, taking place Thursday, January 10 at 8 pm at the Jack London Bar.

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COLLEEN COOVER, illustrator for Marvel Comics and co-creator of the Nancy Drew-esque Bandette and the charming, Portland-set existential mystery Gingerbread Girl.
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JEN VAUGHN, Seattle-based comics librarian, Fantagraphics staffer, and creator of the hilarious (and informative!) Menstruation Station.
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JAKE RICHMOND, creator of the beloved and adorable web comic Modest Medusa, about a tiny Medusa who came from the toilet and loooooves Chocodiles.

(Yes, only three creators instead of four this time—we’re gonna try eliminating intermission, to make more time at the end for the networking y’all love to do so much.)

So! See you there: Thursday, January 10 at the Jack London Bar (529 SW 4th, Portland). 8 pm. Cover charge is $3, which will be waived for menstruating women and tiny medusas.

October’s Comics Underground: Sex! Boats! Monkeys!

THE NEXT Comics Underground is Thursday, October 18! Here’s who’s gonna be up onstage:

• Two all-around hilarious dudes, JEFF PARKER and BEN DEWEY are studiomates at Portland’s Periscope Studio, where they collaborated on a Planet of the Apes story. Yes. That means this Comics Underground will feature talking monkeys. With guns! And hookahs!

• Nationally syndicated political cartoonist MATT BORS was short-listed for a Pulitzer earlier this year! Political comics? At Comics Underground? Mere days before an election? How timely! How relevant!

LEIA WEATHINGTON and ERIKA MOEN are two Portland creators who teamed up on the very adults-only story “Easy,” for the lady-friendly anthology Smut Peddler. We repeat: Adults only. Excellent.

• Up-and-coming cartoonist LUCY BELLWOOD recently raised more than $10,000 on Kickstarter to fund her autobiographical comic True Believer. This fact alone should give you some idea how good Bellwood is.

Is this a fantastic lineup? YES. So. See you there: Thursday, October 18 at the Jack London Bar (529 SW 4th, Portland). 8 pm. Cover charge is $3, which will be waived for anyone who brings a real live monkey.